Shawn Herrin — Creator and Host of We Like Shooting | Firearms Media & Podcasting

Shawn Herrin | We Like Shooting | Firearms Podcasting | Digital Media | Online Community | Primary & Secondary Contributor

Professional Bio

Shawn Herrin is a firearms-media personality, podcast host, producer, and the creator of We Like Shooting, a long-running program built around firearms, equipment, training, industry news, and gun-community culture.

Herrin’s work sits at the intersection of firearms information and digital entertainment. Through long-form audio and video discussions, he has helped make technical subjects, product conversations, industry developments, and competing viewpoints accessible to a broad firearms audience.

His experience managing an established firearms-media platform also gives him practical perspective on online audiences, social-media behavior, community interaction, criticism, sponsorship relationships, and the challenges of separating useful information from attention-driven noise.

Areas of Contribution

  • Creator and host of We Like Shooting
  • Firearms podcasting and digital media
  • Long-form panel discussion and interviewing
  • Firearms-industry news and product discussion
  • Online firearms-community development
  • Social-media communication and audience engagement
  • Critical evaluation of firearms information
  • Primary & Secondary ModCast panel participation

Primary & Secondary

Herrin has participated in Primary & Secondary discussions addressing firearms media and the way information circulates online. In P&S ModCast 86 — Social Media: The Downfall of Humanity, he joined Matt Landfair, Dugan Ashley, Jack Clemons, Jose Gordon, Scott Jedlinski, and John Johnston for a wide-ranging conversation about credibility, expertise, social-media dynamics, instructor qualifications, negative engagement, and critical thinking.

His role in that conversation reflects the value of experience earned through operating a public-facing media platform: understanding how audiences interpret authority, how disagreement changes online, and how entertainment, personality, evidence, and expertise compete for attention.

Selected References